​The untitled series of watercolors depicting rocket launches from U.S space stations is a body of work that reflects my encounter with the U.S society. The watercolors show colorful and blurry images of what it is an expansionist aim; the hidden nature of rocket launches. The unclear appearance of the watercolors emulates the turbulent motive behind the spectacle.

Karen Tauches is an artist, designer, and curator based out of Atlanta, GA. Using photography and graphic design, her work focuses on clashes and connections between the commercial and Natural worlds.

‘Let the wind carry us’ is an exhibition of site-specific works and murals by the artist. Downs' drawings and prints are figurative and surreal. They depict human beings participating in a dream-like, fantastic world of activities.

The exhibition embodies notions of disorder through man-made construction materials that challenge their conventional context, setting, and function. I hope to inspire reflection on the role of perception when understanding utility and entropy. The materials will reiterate a sense of irreversible change through physical manipulations and forms installed throughout the space.

These art works are about the structure of object acquisition from the 17th century to present day. From their design, in the materials and their creation, through production, and within delivery methods, the European implementation of brutality and hard power has been coded into art and decorative vessels as an imagery of success and wealth. GUCHI is a brand created by the artist to better investigate the visual language and impact of this brutality through an investigation of utilitarian objecthood, image making, and desire.

TEMPUS PROJECTS is pleased to announce their summer juried exhibition. ‘DARK AND FULL OF FLOWERS: Secundo Sunistra’ is a multi-media, juried art exhibition focusing on theme of the sinister side of the Sunshine State. The word ‘sunistra’ is a portmanteau of "sunshine" and the Latin word "sinistra" and reflects the often idyllic/nightmarish dichotomy Florida embodies in its natural, social and political climates.

Tempus Projects presents Anatomy of a Mesh, a group exhibition featuring works by Kayla Mattes, Robert Otto Epstein, Victoria Palombit, David Schiesser, and Amber Tutwiler, curated by Christina Humphreys. Through technology-enabled experimentation and a diverse range of practices, including drawing, painting, photography, video, and textiles, each artist navigates the screen as a source of aesthetic inspiration and existential quandary. In reframing the body within the sleek enclosures of software interfaces, these works amplify the irregularities native to digital representation.

Tempus Projects presents Oh! Mary Mary Mary, a solo exhibition by Tampa based artist Will Douglas. Oh! Mary Mary Mary is an exhibition of works by Will Douglas made in response to the ways in which spontaneous screen-based collage influences and complicates our perception of the 3-dimensional world. In these works, religious imagery and ritual objects serve as a vehicle to speak about the construction of an experience economy at the intersection of consumerism, masculinity and devotion. Oh! Mary Mary Mary features sculptural collaborations with Matthew Drennan Wicks which allow the photographic language to speak, not only through the lens but also through the object. With these works the photograph returns to a form that references the history of western functional object making.

The exhibition features McCarty’s new body of drawings that examine the intersections and contradictions of temptation, competition, and irreverence. The pieces feature passive and active depictions of growth and conflict, culling from sources such as plant propagation, mixed martial arts, and weaponry. Through the fetishizing and fusion of these figures and objects, she restructures the them to blur the line between the revered and impure. Lines and layers featuring composite and grafted forms serve to track and dismantle tropes of structure and muscularity and their dispersal across popular culture to reach the apex of danger and sensuality.

Penumbra /pəˈnəmbrə/ (from the Latin word paene "almost, nearly") is the region in which only a portion of the light source is obscured by the occluding body. Penumbra: Corridor of Ambience is the 6th and most significant Central Florida based site-specific installation, featuring geometric aerial sculptures representing La’ford’s focus on how light ripples in space, the metaphysics of illumination, and the emotive responses to sound and time. Inspired by sacred spaces, patterns and place, La’ford’s installation invites viewers to activate both space and senses through a whimsical array of intersecting geometric forms. Fascinated by paths of light, La’ford’s lined encased environment is an echo of her interests in a concept she coined as geometric-lineage; a parallel sense that each line exists as a compatible path that defines each individual’s intersected human experience.